طبقه بندي آرايه هاي بديعي بر اساس: "نظريۀ بلاغي فنّ بيان" (با تطبيق بر اشعار علي طايي)

Abstract The science of Badiʹ (embellishment), as one of the three pillars of Arabic rhetoric, plays a pivotal role in the aesthetics of literary texts, an‎d the classification of Badiʹ figures has consistently been a primary concern of rhetoricians. Despite extensive efforts by classical an‎d contemporary rhetoricians in explicating verbal an‎d semantic embellishments, innovative rhetorical approaches such as the theory of Fann al-Bayan (art of expression), which emphasizes the artistic an‎d communicative functions of language, have enabled a more pragmatic reinterpretation of these figures. The Diwan of Ali al-Taʹi, as an exemplar of contemporary Arabic poetry that adheres to the rhetorical heritage while simultaneously demonstrating innovative applications of Badiʹ devices, provides an appropriate corpus for testing this theory. The primary objective of this research is to present a novel classification of Badiʹ figures based on the components of Fann al-Bayan theory an‎d to analyze the manifestation of these figures in Ali al-Taʹiʹs Diwan, thereby facilitating a deeper understan‎ding of the aesthetic an‎d semantic functions of these devices within the context of contemporary poetry. The research methodology is descriptive-analytical with a comparative approach, wherein the theoretical foundations of Fann al-Bayan an‎d the principles of Badiʹ figure classification are first elucidated, followed by the rhetorical analysis of selec‎ted poems from Ali al-Taʹiʹs Diwan through purposive sampling. The research findings demonstrate that Badiʹ figures in Ali al-Taʹiʹs Diwan, rather than serving merely as verbal ornaments, carry semantic an‎d ideological functions. Al-Taʹi, through judicious employment of verbal embellishments such as Jinas (paronomasia) an‎d Sajʹ (rhymed prose) alongside semantic embellishments including Tibaq (antithesis) an‎d Muqabala (counterbalance), has succeeded in creating a musical yet content-rich atmosphere. The classification based on Fann al-Bayan has also proven its efficacy in more precise analysis of the semantic an‎d aesthetic layers of these figures. The overall conclusion indicates that Fann al-Bayan theory can provide an appropriate framework for studying Badiʹ figures in contemporary poetry, an‎d Ali al-Taʹiʹs Diwan represents a successful synthesis of rhetorical tradition with artistic innovation. Keywords: the Rhetorical Theory of the Art of Expression, Innovative Arts, Lyric Innovation, Spiritual Innovation, Ali al- Taʹi

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